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Darren Criss Plays 'Heads Up!'
Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance. Bernstein had decided he needed to concentrate solely on the music, and he and Robbins had invited Betty Comden and Adolph Green to write the lyrics, but the team opted to work on Peter Pan instead. To cheer themselves up, they lampoon Officer Krupke, and the other adults who don't understand them " Gee, Officer Krupke ". He arrived in Hollywood to choreograph the dance sequences for The King and I , and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York. Maria confesses to Anita that she is not in love with Chino. Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it. He was outvoted on other issues: Tony tells Doc about Maria. Tony suggests "a fair fight" fists only , which the leaders agree to, despite the other members' protests. They are warned by police officers Krupke and Lt. Before he goes, they dream of their wedding "One Hand, One Heart". Sondheim auditioned by playing the score for Saturday Night , his musical that was scheduled to open in the fall. Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period instead of the customary four , since there was to be more dancing in West Side Story than in any previous Broadway show,  and allowed Robbins to hire Peter Gennaro as his assistant. The Jets, Sharks, and adults flock around the lovers. The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again. Robbins demanded and received a "Conceived by" credit, and used it to justify his making major decisions regarding changes in the show without consulting the others.
However, she is unable to bring herself to fire the gun and drops it, crying in grief. To cheer themselves up, they lampoon Officer Krupke, and the other adults who don't understand them " Gee, Officer Krupke ". Action has taken charge; he accepts Anybodys into the Jets and includes her in the search. Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it. He arrived in Hollywood to choreograph the dance sequences for The King and I , and he and Laurents began developing the musical while working on their respective projects, keeping in touch with Bernstein, who had returned to New York. They meet the rest of the gang. Some of the Jets are unsure of his loyalty, but Riff is adamant that Tony is still one of them "Jet Song". In spite of her attempts to conceal it, Anita sees that Tony has been with Maria, and launches an angry tirade against him " A Boy Like That ". Riff and Bernardo agree to meet for a War Council at Doc's, a drug store which is considered neutral ground, but meanwhile, an infatuated and happy Tony finds Maria's building and serenades her outside her bedroom "Maria". Doc relates the news to Tony, who has been dreaming of heading to the countryside to have children with Maria. The Jets and Sharks form a procession, and together carry Tony away, with Maria the last one in the procession. Getting the work on stage was still not easy. And we were told no one was going to be able to sing augmented fourths , as with "Ma-ri-a" Tony initially refuses, but Riff wins him over. Sondheim auditioned by playing the score for Saturday Night , his musical that was scheduled to open in the fall. Another song, "Kid Stuff", was added and quickly removed during the Washington, D. The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again. The tomboy Anybodys, who stubbornly wishes that she could become a Jet, tells Tony to flee from the scene at the last moment and flees with the knives. Schrank trying to find out the location of the rumble. She admits that Chino has a gun and is looking for Tony. Laurents asked Sondheim if he would be interested in tackling the task. Sondheim did not care for Laurents' opinion. He gave the ensemble more freedom than Broadway dancers had previously been given to interpret their roles, and the dancers were thrilled to be treated like actors instead of just choreographed bodies. Bernstein magnanimously removed his name as co-author of the lyrics, although Sondheim was uncertain he wanted to receive sole credit for what he considered to be overly florid contributions by Bernstein. He proposed that the plot focus on the conflict between an Irish Catholic family and a Jewish family living on the Lower East Side of Manhattan ,  during the Easter— Passover season. Maria confesses to Anita that she is not in love with Chino. Tony attempts to intervene, inadvertently leading to Riff being fatally stabbed by Bernardo.
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