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Because I just know there's so much more out there in Aly's impressively exhaustive discography, and many of the original albums aren't all that readily or any longer available. I suppose it's rather like the tip of an enormous iceberg floating in the ocean between Orkney and mainland Scotland, the catch being that the majority of the rest of that ice-floe may well be destined to remain beneath the surface. Here Roy also brings us a contrasted pair of fine songs by David Ferrard: Elsewhere, perhaps, it can be all too easy to get the feeling that Glyn is deliberately setting out to make an Impact capital "I"! Equally inevitably though, any fan of these guys' fabulous musicianship will need a copy of this self-recommending record. Hearing Aly firing away in the company of illustrious fiddlers from anywhere on the planet is always one of the deepest joys that can be experienced, and for me the "session" could go on all night and into the next week and I'd still want more! David Kidman July Aly Bain et al. Finally, no Aly Bain collection would be complete without one of his many recordings of the traditional Shetland air Da Day Dawn, and he's chosen one of the very finest, the one with the BT Scottish Ensemble. The key lies naturally in the CD's title - Tomorrow - which is shorthand for that all-important message for his own, and indeed all, grandchildren: Yet, just as with any situation where there's a definite brimming-over-surfeit of artistic creativity, this eventually involves an element of excess that needs trimming - or at least channelling: And of course it's a totally engaging disc, attractively packaged and entirely unpatronising for a children's record doesn't have to be full of obvious childlike songs! Education should be fun, and a child's natural enjoyment of, and willing participation in music, can be both a vital element and a useful tool.
Education should be fun, and a child's natural enjoyment of, and willing participation in music, can be both a vital element and a useful tool. Hearing Aly firing away in the company of illustrious fiddlers from anywhere on the planet is always one of the deepest joys that can be experienced, and for me the "session" could go on all night and into the next week and I'd still want more! But, if pushed, I'd recommend first the stirring opening set of Irish slides that lights my candle every time, not least due to the extra buzz generated by McGoldrick's uilleann pipes. Menard with his Louisiana Aces and champion of progressive cajun, Wayne Toups; and Aly can be seen adding his trois sous to the musical gumbo by joining in enthusiastically at every session opportunity! A first hearing of tracks like Kafkaesque World can be distinctly overwhelming, with its potent juxtapositions lavish musical setting with smooth crooning delivery to voice the thoughts and words of a torturer. Every track is both memorable and relevant, a further demonstration of Roy's total integrity, and the whole set forms both a cause for celebration of half-a-century of bringing folk music to a wide audience and yet another high point in Roy's illustrious career. Here Roy also brings us a contrasted pair of fine songs by David Ferrard: And when the kids have been captivated and are almost ready for bed, Roy tucks them up with the poetic story of My Pet Dragon by John Maguire , which is gently enhanced by atmospheric sea sounds created by that good Mr Kirkpatrick's accordion bellows! This film was a natural follow-on from the Channel 4 series Down Home, and later paved the way for key collaborations in the Transatlantic Sessions series. It's probably invidious to single out individual tracks for special praise, since the duo are proven masters of so many different forms and styles of traditional music, and it's probably fair to say that I enjoyed specific tracks in specific moods. In addition to the welcomely omnipresent JK, the album's signature musical backing is provided largely by Martin Simpson, Chris Coe and Andy Seward, with contributions from Andy Cutting and David Bailey and occasional chorus vocals from the assembled Bailey clan. Other, arguably lesser-known artists appearing include charismatic fiddler Harry LaFleur, vibrant singer D. Elsewhere, perhaps, it can be all too easy to get the feeling that Glyn is deliberately setting out to make an Impact capital "I"! Then, to balance these euphoric moments, the disc presents several of the thoughtfully considered slower compositions and arrangements in which Aly has also always excelled. Hodges now onboard, this marks something of a return to form. So in many respects, the time is now ripe for a suitably comprehensive overview of Aly's career to date. And, in keeping with those tales of the old West too I suppose, Glyn's writing displays a strong sense of narrative too, as proved by the eight-minute epic Ballad Of Deano. The fiddle-led set of wedding reels track 8 packs a hefty drive yet with a lightness of touch, while there's an irresistible authentic ceilidh-band feel to the bouncy pipe-marches of the final track that won't fail to get your feet tapping. And of course it's a totally engaging disc, attractively packaged and entirely unpatronising for a children's record doesn't have to be full of obvious childlike songs! Roy's other instrumental collaborators here - John Kirkpatrick, Andy Cutting, Donald Grant and Andy Seward - give of their very best, playing with spirit and commitment throughout in lovingly-contoured, full-toned yet light and sensitive arrangements. As an instance of this, we need look no further than the legendary Transatlantic Sessions projects, of course, and a sparkling Waiting For The Federals from Series 2 is included here; but then not everyone knows that the even more legendary Channel 4 series Down Home was TS's precursor, and this disc includes no fewer than four brilliant tracks from the recording sessions for the series hopefully as a taster for the release of the whole shebang on disc soon, please! Of the slower-paced tracks that are sensibly interspersed amongst the uptempo selections, the Rev. I suppose it's rather like the tip of an enormous iceberg floating in the ocean between Orkney and mainland Scotland, the catch being that the majority of the rest of that ice-floe may well be destined to remain beneath the surface. And of course in his choice of songs: This is a cannily sequenced minute collection that's pretty comprehensive in its own right and works well as an independent listening programme, but on the other hand it can't help but leave me with that niggling feeling of incompleteness. So I guess a further release was inevitable! Closer to home, Molly's Garden is a thoroughly charming ditty penned by Kit Roy's daughter and Molly's mum , while The Collier Brig a favourite song of Molly's even gets an unexpected airing.
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